The day before 
Wosonos2013 starts, Christy Lee-Engel shares a great gift on the Oslist.
 
Harrison walking the circle, Connecting for Community Day 3, April 2013 from 
christy lee-engel on 
Vimeo.
Some days later, Harrison wrote those interesting words about the dance on the OsList:
Christy – You caught me! What did I learn?  (“But, wait - you didn't say: what did you learn??”)
–
 Well I guess it was more re-learn, or better… remember. It was all 
about the dance. There is a dance in our opening moments, and I rather 
suspect it may communicate more than whatever words may be spoken. It is
 a simple but elegant dance beginning with a full slow sweep of the 
circle, a cut to the center, followed by random crossings of the circle,
 and ending at rest somewhere between the center and the edge. Early on,
 there was no conscious intent on my part to do or create a dance, it 
just seemed to happen as a natural expression of my relationship to the 
circle and the people who create it. In truth it took more than a few 
years before I even realized that it was a dance, repeated at every 
opening – and even more years until its primal forms and meanings became
 apparent to me. The interesting thing to me is that as I have watched 
my friends and colleagues over the years, seems like we all do pretty 
much the same things, which speaks, I think to the natural and emergent 
quality. At some level it is without intention. It is simply called 
forth as an organic expression of the moment, and our (as facilitators) 
place in that moment. 
Interpreting
 a dance is always a dangerous thing, but in this case the forms are so 
archetypical and manifest that it seems less about interpretation than a
 naming of the obvious. Part I (The circle sweep) is perhaps the oldest 
shamanic act going, which travels under various names, but is often 
called “bounding the circle.” It is all about defining and claiming a 
safe space. In West African bush villages the shamans actually bound the
 whole village with a vine rope that they weave in the night and 
encircle the village. Nobody sees them, but in the morning the villagers
 arise to see the village defined. It is always interesting to see what 
is “inside” and what is excluded – so it is often the case that the 
school house (a western/modern addition) is often on the “outs.” What is
 safe, and what is questionable? Who, what, where are WE?
Part
 II (Cut to the Center) takes a little more explanation. I have always 
thought of it as a ritual re-enactment of The Hero’s Journey. Joseph 
Campbell, whose epic works on global mythology re-introduced the power 
of myth to the modern world, wrote a book of the same name. In the book 
he argues that all major traditions have a common theme story which he 
calls, The Hero’s Journey. In it a common man rises up one morning and 
departs on a far journey through many dangerous places and situations. 
He is essentially transformed by the experience and his common 
consciousness is expanded in ways he could never have imagined. But he 
is not a hero yet – not until he returns to his fellows and shares his 
expanded insight with his fellows(offers a boon). Think: Jesus in the 
wilderness, Moses in the desert, etc.  If Campbell is right, and I think
 he is, this story is part of the tradition and consciousness of 
virtually all the peoples of the earth. In short it doesn’t have to be 
told again (but that is always nice) – it is part of who and what we 
are. Now back to Open Space and The Cut to the Center.
               
 The physical open space in the center of the circle we create is a 
dangerous place. Even worse, it is pure Chaos. Nobody goes there 
willingly. Who knows, there might be dragons! Sounds a little weird and 
far out, I guess, but the next time you have an opportunity watch how 
the people (participants) treat that space, particularly if it is a 
large group, with a large circle, and a LOT of space. People will walk 
all the way around it rather than crossing. And if they do cross, they 
often do it in pairs (safety, you know). Watch how they treat the edge 
of the circle. They will come right up to it, and then back away. No 
sane person would willingly go to the center of such a circle! You can 
prove this to yourself just by remembering the first time you ever 
facilitated an Open Space. OMG!
               
 So the Cut to the Center is a journey to hell – and guess what? The 
Facilitator survives! At this point, the circle has been bounded and the
 space claimed – but the story is not over. The boon (gift) has yet to 
be given. We come to Part III – Random Crossings.
From
 the center of the circle, the facilitator moves to the edges in a 
random pattern, making contact with the people on the edge and then 
crossing again to make contact with others on the opposite side. Back 
and forth, back and forth – weaving a pattern of meaning and safety. 
Trails in the desert wilderness, so to speak. 
And
 then it is over. The facilitator moves to a resting position part way 
between the center and the edge – and invites the people to come (with 
their issues). Under usual circumstances (read just about every time) – 
the people show up with alacrity, “following the trails in the desert.” 
 And the Hero (facilitator) essentially disappears. The boon has been 
given and the people have claimed it as their own. Time for a nap! 
Oh yes, a few words have been spoken, but I really think the dance says it all.
So
 that is my story, and doubtless more than you anticipated, Christy. Who
 knows if it is true, but it works for me. And if it works for you – 
consider it yours.
Harrison  
"...Getting to watch Harrison Owen open the space 
on the last day of the Connecting for Community gathering in Cincinnati 
was a treat, and a kind of master class." Christy Lee-Engel 
Dear Open Spaceniks,
On the eve of the lush
 and delightful-sounding Florida WOsonOs, below is the link to a video I
 took on my phone of Harrison walking the opening circle of the last day
 of a different lively gathering, which was called "Connecting for Community" and took place in Cincinnati a few weeks ago. 
 
"We work together sharpening our tools, learning, challenging and 
encouraging each other, and in the diversity of our backgrounds, 
creating our own community. It is inspiring and invigorating work for 
each and every participant. At Connecting for Community we find our own 
voice weaving with the experience and grace of other creating a whole 
fabric of relationships that goes with us out into our own communities 
to continue our work changing the world." 
Here's the link: https://vimeo.com/65488850
Although it's rough, I think it's still fun to watch at least a moment 
or two of what it looks like to walk that opening circle with more than 
25 years of it in your bones. It is also pretty great to see how people leaped up to write their sessions, as soon as he invited us to! 
(please note - I've found that the echo-y sound is best understood if you can listen through earphones ;-))
Sending warm wishes for a rich and deep and surprising time to 
everyone at the international WOSonOs, and to the rest of us, too! 
love from Seattle, Christy
May we on a few days get to watch Suzanne Daigle walking the circle on the 
virtual space of Wosonos2013 in Florida? 
@Eleder_BuM 
www.burumapak.blogspot.com (Basque)  www.in-fluyendo.blogspot.com (Sp.) www.flowandshow.blogspot.com (En)
http://www.bilbohiria.com/gaika/berbaz (radio interviews)